Names of tattooed gay male porn stars
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His observations about the relationships between representation, authorship and homosexuality also encourage us to look at cultural products in terms of discourse. Richard Dyer and the Gay Male NarrativeIn many ways, Richard Dyer sets the stage for the analysis this paper presents with his essay "Believing in Fairies: the Author and the Homosexual." He provides several useful caveats for thinking about lesbian/gay self-representation. To the extent that the representations of porn engage and refute other representations of sexuality, porn is also political. As a form of fantasy, a discourse of idealized self-representation, porn participates in the expression and education of desire. Why should images with a presumably solely erotic purpose engage these social hierarchies and meanings? I suggest that this class and gender content of porn is best understood as a form of discourse aimed at dislodging the power of other representations of homosexuality. The point I wish to make about porn begins with an observation: many of the readily available, highly marketed porn images feature hyper-masculinized men, and much of this hyper-masculinization is carried out through ideologically charged symbols of class and gender. For the remainder of this paper, however, "porn" should be assumed to mean gay male porn, unless stated otherwise. The majority of my argument centers on images of the male body produced or consumed by a self-consciously gay culture, but I intend the argument to function as part of a larger analysis of the representations of sexuality. To approach these questions, I want to look at a specific kind of homosexual representation: images of the male body. Given that current renderings of the "homosexual" are re-worked from a collective past, this question explores the paths current representations open for future re-workings. The second question probes the historical significance of these representations. That is to say, we must keep open the questions of what is represented as "homosexual" and of how the "homosexual" is represented. First, what exactly is rendered as "homosexual?" This question is aimed along the trajectory set by Michel Foucault (1990), Robert Padgug (in Duberman, et al., 1989) and others: that all sexuality is culturally and temporally situated and re-worked. In this paper, I specifically address two questions that are inherently, if not explicitly directed at what might be called gay liberation politics. This mass of representation raises a flurry of questions and possible relationships.
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Pornography provides yet another representation of homosexuality. The nightly news covers legal developments in domestic partnership newspapers in Charlotte recently presented the heated debate over the local production of Tony Kushner's Angels in America (Stout, 1996) lesbian/gay oriented magazines like The Advocate report on a wide range of subjects, tying politics, entertainment, and medicine into the social. "Homosexuality" receives a lot of representation these days. Richard Dyer and the Gay Male Narrative.
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Gay Male Body Chapter One Discourse and Image